You may or may not have heard of crowdfunding - a means of raising money for charities, the arts and other 'heart on sleeve' causes that rely on public support to do what they do. Crowdfunding works by seeking relatively small donations from a large number of people, in exchange for a stake in the proceeds and/ or final output of the project they are investing in.
It's a great concept - it shows the ability of social networking tools and community websites to bring together people from all corners of the world, and all manner of different backgrounds, behind a common and worthy cause.
As a music fan, I love the way I can support up and coming acts and help them achieve their rock n' roll (or hip hop, folk, hair metal) dreams through sites like Sellaband. The band gets a devoted and (literally) bought-in following, they get the funding they need to work towards recording and producing an album, and the "believers" get new music and a warm, fuzzy feeling when their act of choice makes the big time. Perhaps it also eases the collective guilt about illegal free downloading, which makes it harder for new bands to get a record deal in the first place!
So far, so wholesome. Now the success of crowdfunding as a legitimate and (reasonably) successful fundraising tool has drawn attention from more traditional capitalist ventures. Perhaps crowdfunding's move into the mainstream was best demonstrated by this Financial Times article in which already-established British tech company Trampoline Systems announced their intent to raise £1m through crowdfunding to finance growth.
I can see the logic - times are hard, traditional sources of investment are hard to come by and only resourceful companies will make it through this recession. But the news leaves me at a fork in the road. Part of me wants to applaud Trampoline for being enlightened enough to see the potential of social networking as a valid and valuable business tool. As PR professionals, we spend a lot of our time encouraging organisations to treat social communication with the seriousness it deserves and factor it into their strategic planning.
I guess I should also be supportive of this new "hard-edged" version of crowdfunding, in the interests of preserving the freedom of the internet - after all, the web was not built on restricting access to anything (legal), and social communities work better when they are not gated communities.
Despite all this, I can't bring myself to like the idea. Raising money to fund the pursuit of money seems against the spirit of it all. To look at it from a financial point of view, it raises concerns about conflicts of interests between shareholders. And with regulators tightening their controls over mainstream investment and lending practices, is there a risk that crowdfunding will become a haven for less scrupulous investors? I think the likelihood of that is as low as the likely return on investment, but the threat is there.
It all seems far removed from putting money behind the next hopeful and seeing if my personal support makes a visible difference. But then Sellaband itself has "strategic partnerships" with several corporate household names, and the believers get a cut of any profits their chosen band makes. So whilst the type of organisation that turns to crowdfunding is starting to change, are the motives behind it so very different?